| compositions |
some questions:
When does sound become performance?
Do we make it so by listening?
What captures our ear? Why?
What material is available in what
actually happens?
LOVE AT A DISTANCE
The surge and dissipation of a crescendo played through a brass trumpet felt like my best chance of loving someone at a distance.
performance by:
Evelyn Petcher, violin
Jordan Dykstra, viola
Doug Farrand, trumpet
Rachel Mangold, sound engineer
Commissioned by L Collective
7’ in the rose reading room
Is there music to be found in the relationships/differences between time and rhythm?
The score for this piece is in two parts: a field recording made in the Rose Reading Room at the New York Public Library. The second part is a set of instructions, guiding performers to notice the musical elements of the recording and ‘embody’ them on
their intrument.
performance by:
Teodora Stepancic, pulse
Jordan Dykstra, pulse
Assaf Gidron, listener via elec. guitar
Laura Cetilla, listener via cello
Lester St. Louis, listener via cello
Rachel Mangold, listener via bass
commissioned by L Collective
Conversation piece
